Tuesday, December 22, 2009
DECAmix
Warning: This mix has so many drops you may think it's raining electro.
So 2009 is rounding up, and I haven't had the time to do the usual "best of" section. With a trip back home on the cards as of tomorrow it's doubtful I'll get around to it, but I've been biding my time putting together something else: a compilation of the biggest tunes of this year - electronically speaking.
The result is 41 tracks smashed into 42 mins of chop & change music - which despite my finest efforts often sounds a lot like an album teaser. However I do dare say it's worth a listen at least once; for those not in the know it's a lesson in what you missed out on, and for you more savvy individuals, it's a little nostalgia from the club scene o' the '09.
There's still a buttload of tracks I could've put in here (see: most of The Prodigy's Invaders Must Die, Yuksek's Away From The Sea, or Royksopp's Junior), and some of the remixes I chose aren't necessarily as good as the original - but hey, that's what worked when I put it in. Having said that, comments on what you thought Track of The Year was are most welcome.
Without further adieu, and it being December, I present the Big Ted DECAmix for 2009. Merry Bass-mas.
Big Ted Deca-mix by BigTed
Permanent Link here (Mediafire)
Tracklist will be up later - for now, play DIY Track ID amongst yourselves
Saturday, November 28, 2009
Everything's All White
(Real) Warning: The video below contains large amounts of excited and relieved explicit language.
2.5 years ago, I posted a youtube clip of the friendly between Wales and the All Whites on here. The game itself, played halfway around the world and for no particular trophy, was hardly broadcast about, even in NZ. I think the footage I put up was a TV3 news report - which has since then been taken down for copyright violation. Its nearly impossible to find footage of the game online that wasn't from some bloke's digital camera.
But obscure as it was, that game was a turning point. It was the dawn of Shane Smeltz's blossoming career (he nabbed both goals in a 2-2 draw), another piece in the puzzle that brought us to November 14th, 2009.
Incidentally, Wales was ranked around 20 places higher than us at the time (but to be honest FIFA rankings mean nothing below #50, and not a lot above it either) and sporting such famous names as Ryan Giggs and Craig Bellamy.
New Zealand's World Rank history has some rather unrealistic topography
It was also the first time I really started paying attention to the state of the national game. And suddenly, Wellington got a pro football team. We started seeing more regular appearances of national level footballers. New Zealand qualified for the playoff against the fifth placed Asian team. We nearly beat Italy. We drew with Iraq, previous Asian champions. The team started to look more like a team and less like a bunch of guys flown in to bump into each other on the field.
And now we're going to the World Cup.
When someone asks me about 2009 years on, the heading picture is the first thing that will come to my mind. It's a picture that says Victory. It's a picture that shows joy and excitement. But it's also a picture that says "now, have I got your attention?" Even moreso, "I better damn well."
More than enough has been blogged, spoken and broadcast about the game for me to go into an analysis here, and sadly even the idiotic arguments "the All Whites didn't have to do much to get there, European teams would kill for our route" and "Rugby vs. Soccer: Is New Zealand undergoing a shift in sporting interest?" But it's so refreshing to have all this after a big fat nothing for so long. The media didn't care. The public were ignorant to the whole thing. But now everyone's listening. Mark Paston and Rory Fallon are household names. And I'd take all the overkill in opinionated journalism you can muster if it means football is on NZ's radar. Then someday, maybe not today or tomorrow, you'll be able to read the headline: All Whites 1:0 England/Brazil/Italy/you get the idea.
Sorry, the point of this post was actually to show you the chaos that was our excitement at the moment of NZ's qualification. Sure, it's nothing on what was going on at the stadium, but I think we did them proud.
Go the All Whites.
Labels:
New Zealand,
Sporting Madness,
video
Thursday, November 26, 2009
Movember Mix
Warning: None of this electro mix is remotely hairy.
I have a Movember post abrewin', but for now here's the latest instalment in the Big Ted Mixion, and in bassthumping 320kpbs to boot:
Big Ted's Movember Mix (320kpbs)
Edit: I've also put it up on Soundcloud, though this will only be around for about a month - ie. till I put the next one up.
Big Ted's Movember Mix by BigTed
Electro with the fashionable dubstep aside here and there, though a bit more dancehall-y than of late. Probably my tightest effort at track collab thusfar, even if I haven't been particularly ambitious with the effects between tracks (loop fade, anyone?)
Tracklist
Boris Dlugosh - Bangkok
Strip Steve - Breakin'
The Big Pink - Dominoes (Switch Remix)
Huoratron - Corporate Occult (Passion's Splatter House Remix)
Alex Metric - It Starts (Evil Nine Remix)
The Prodigy - Thunder (Bang Gang Remix)
Florence and The Machine - Drumming Song (Jack Beats Remix)
DJ DLG - Paramount (Rogerseventytwo Remix)
SonicC - Stickin' (Kissy Sell Out VIP Edit)
Eve & Benga - Me & My
Reso - Smash Yer Face In
Mexican Institute of Sound - Cumbia (Deathface Remix)
Tom Stephan - Turn That Shit Up (Diplo Remix)
Mixhell - Highly Explicit (Brodinski Remix)
Passion Pit - Little Secrets (Jack Beats Remix)
Fenech Soler - Lies (Alex Metric Remix)
Ellie Goulding - Under The Sheets (Jakwob Remix)
Subwave - Stars Get Down
So yes, the now-traditional Prodigy track remixed, and yet another remix by Jakwob - this time with a beautiful if mildly uneventful remix of Ellie Goulding's debut single. What can I say - quality breeds quality.
Comments always welcome.
Thursday, October 29, 2009
It's Getting Dark
Warning: This mix contains basslines that wobble more than your dad's jellyrolls.
The lack of dubstep on the last mix I made left a hole in me that I needed to fill, so I overcompensated and put together a dubstep mix last night.
Dubstep is a misunderstood genre - kinda like science fiction. Many people will lump anything with a wobbly bassline into the "dubstep" category, and though this is the defining feature (that and a speed of around 140bpm), its a bit like saying any book/movie set in outer space is a science fiction book. Not only does being a fan give you a bit of a rep, the bad habit that arises from this is that when you say you like dubstep people instantly assume you mean everything from the dark, hard stylings of Goth Trad, past the "clownstep" business that Jack Beats and Rusko love, out to the pop/electro dubstep remixes that have been making waves since Skream put out that La Roux remix.
I tend to prefer my dubstep without cheese nor minimal essence - and mostly without rap. MC Dynamite completely ruined Caspa's Rat-A-Tat Tat. My choices from the assorted menu tend to be dark bangers and those with emotional, melodic samples.
While I tried to keep any of the original, dated hits (which I still love) like Chase & Status's Saxon and Caspa's Remix of TC's Where's My Money?, I think this is a fairly good control sample of what I personally think makes dubstep worth listening to.
Enjoy! (mediafire)
Tracklisting
GTRONIC - Destroyer
Udachi - Jellyroll
Last Japan - Jungle Warrior (TEDD's "Eseya Huo" Remix)
Hostage - Badman Sound
DZ - Down
The Prodigy - Breathe (Numbernin6 Remix)
Datsik - Gizmo
Tek-One - Pressure
Mikey B. feat. Ill Bill Bachelor - Still Dre (Dubstep Fix)
Wachs Lyrical - Dark Entity VIP
Pitbull - I Know You Want Me (Evol Intent Remix)
Mistabishi - Printer Jam (Barbarix Remix)
Reso - Beasts In The Basement
Emalkay - When I Look At You (Sduk Remix)
Reso - Onslaught
Deadmau5 - I Remember (Caspa Remix)
Teasers - Sooner Or Later (Jakwob Remix)
BONUS - Flight of The Conchords - The Most Beautiful Girl In The World (Kissy Klub DNB Version)
Wednesday, October 28, 2009
Megadrive
Warning: This post does not accept game cartridges.
DJ Sega played at Triangle last Friday, coming all the way from Pennsylvania to hit us with the East Coast ish that got the guy onto Diplo's Mad Decent label. The electro junkies at Triangle just didn't know what to do with it - is it hip-hop? is it dubstep? Are his decks skipping?
Baltimore beat (there's probably another term for it, but I'm not very genre-savvy) is indeed unique, but it's not hard to see where it came from. My guess is it's just a tangent of the East Coast hip-hop sound, where a few DJs decided they'd rather screw with samples of other tracks than just lay down a beat for an MC to spit on. The upside is in it's shock value - "hey I love this son-what the hell is he doing to it?!", where the downside is, to be frank, it's a bit repetitive. As soon as you pronounce the bassline, you've got to do more things with it than just boom, boom, b-b-boom. Still, if you can get past that, the key is in hearing Nirvana and Michael chopped to death. That, and wonderful moments like this one below.
The track did get a little bit more expansive with it's sampling, but hardly - so you get the repetition. But the fact that Timmy! is obviously having a brain explosion over a beat is extremely entertaining, to this patron, at least.
The crowd swelled at the start, but slowly dropped off til we had a lot of the dancefloor to ourselves. Shame, really - not often Osaka gets a change of pace like that.
Nice work Sega - now, if you wouldn't mind giving me back my girlfriend before you go...cheers.
Dilem-Mo
Warning: This post features unfashionable facial hair.
I'm currently tossing up whether to grow a moustache for Movember.
Any moustache I grow would be purely amusing and decorative, as sadly I don't really have the ability over here to collect any funds for charity.
The dilem-Mo I am facing is that
- I really don't look that great with a mo
- I'm not 100% certain about the above statement, as every time I try to grow one, they get to a point where they itch like a Mo-fo and I frustratedly shear them from my upper lip.
-Not many of my compatriots seem to care much for growing one themselves.
But what the hey. I figure there's no better a time to put aside my deMo-ns, Mo-ve past my irritation and put it all in Mo-tion.
I could organise a collection and send it to someone in NZ, but it seems a bit tough. If anyone knows anyone who I can send Mo-ney to, however, please let me know - I may change my Mo-ind.
I think this is all entirely because I like saying the word "Mo".
Tuesday, October 27, 2009
Revisited
Warning: Those of you with low tolerance for bad singing should NOT watch the below video.
I've had my 4th group of Kiwi visitors come and go last week, with Caroline & Edwina dragging along a couple of mates and camping out in my spare room for 6 days.
We took the girls along for a long-awaited sesh in the karaoke rooms, with the Energizer Bucky (he just keeps going when he's on the mike) and "Dios" Mio (who is indeed a vocal OMG).
We hit a point 2 hours in with 3 tracks - Bohemian Rhapsody, In The End and Wannabe (yes, we are shameless) where the energy was so high that...well, it's been a long time since karaoke like that. We should have sung "Like a Virgin", because that's how it felt. I even think there was bleeding.
Looking back on the videos, however, is a bit like seeing drunken photos. Did I really look that munted? Or, in this case, did we really sound that bad?
I had a feeling we did - well, that *I* did, as recently I lose my voice after an hour of the 'roke. But I didn't expect we'd sound like sick dogs going down a coal-chute.
Still, this video is very entertaining, if only for Mio's reaction to our stupidity.
Enjoy. At least, don't judge me. More than you already have.
Thursday, October 22, 2009
Mixed Bag
Warning: Though it may be "Rock-tober", this mix only includes guitar in a sampled, heavy distorted format.
The 3rd instalment of my monthly "mixion" (a bad attempt at combining "mix" and "mission") contains a sole Fake Blood track and NO Boy 8-bit, and only one dubstep track. Madness, I know.
It's still quite stompy, but the midpart gets quite minimal, with lots of stuff from Sweden's Style Of Eye. This guy does minimal like I like it - not really very minimal, and fairly loopy (check out his track "The Big Kazoo" if you can hunt it down on youtube). The other major hat-tips this month are to Dexpistols, the up-and-coming banger-meisters of Japanese electro, and the new mix from Plump DJs on Global Underground.
With 80kidz and Lowbrows (and their Tokyo following) getting distinctly more pop lately, it's up to Osawa and Dexpistols to toe the line between success and good DJing with great care, which as yet I feel they have.
Meanwhile, Plump DJs are showing they're at their best in the mix (with Headthrash being a bit of an average album) on their newest release, chock-full of the bigbeat ish you just wish was dropped more often these days.
Anyway, track here (mediafire).
Tracklist
Mille - Ghost Dancer
Kid Sister - Get Fresh (Zombie Nation Remix)
Alex Metric - Shirley You Can't Be Serious?
Huoatron - $$ Troopers
Sharam Jey - In My Blood (Mom & Dad's Remix)
Style of Eye - Grounded
Fake Blood - Mars (Style of Eye Remix)
Drummatic Twins - Crazy Love (Peo De Pitte Remix)
Royksopp - This Must Be It (Rex The Dog K-DART Remix)
Lily Allen - It's Not Fair (Style of Eye Remix)
Boys Noize - Jeffer (Dexpistols)
Beat Assassins - Boom Style (Dub)
Yeah Yeah Yeahs - Heads Will Roll (A-Trak Remix)
Heartsrevolution - Dance Til Dawn (Dexpistols Remix Deux)
Atlantic Connection - Rocksteady (LA Riot's 'Shake it All Night' Mix)
Chase & Status - Saxon (Oh Snap!! Edit Stylee)
The Prodigy - Omen (Kilmar Remix)
Feedback? Dare I ask?
Tuesday, October 06, 2009
The innocence of youth
Warning: This video may have you smiling and causing your coworkers concern.
I do love my baby nephew. And my lovely sister. And their stupid games.
I do love my baby nephew. And my lovely sister. And their stupid games.
Wednesday, September 30, 2009
I sense a theme
Warning: We here at Machine Gun サラリーマン accept not responsibility for mutilating dance music.
So I'm back-dating this post, as I never actually wrote it at the end of September, but for sake of records it should probably exist.
Continuing on with my endeavour to learn how to DJ, my second mixtape is loosely based around a theme of...well, themes. Theme tunes, to be precise. Admittedly only a third of the tracks in this mix have any relation to TV & movie music, but hey, Will Smith's I, Robot only contains around 3 lines from its namesake written back in the day by Isaac Asimov. Sue me*.
It's full of bangers and might not really be home listening material, but I'm sure it kills on your own in the car (or while playing COD4 or whatever it is kids do these days).
Mix here(mediafire)
Tracklist
Barry Gray - Thunderbirds Theme
Major Lazer - Pon De Floor (Chewy Chocolate Cookies Remix)
Midfield General - Sirens (Boy 8-Bit Remix)
Grum - Heartbeats
Fake Blood - The Dozens
Gossip - Love Long Distance (Fake Blood Remix)
Wes - Alane (Legobeat Remix)
D.I.M. - Lyposuct
Cyperpunkers - Check This Out (Chewy Chocolate Cookies Remix)
Pola-Riot - Superpimpin'
Kill Frenzy - 54321
Bumblebeez - Rio (Boy 8-Bit Remix)
Stardust - Music Sounds Better With You (Pola-Riot Remix)
Jack Beats - UFO (K-Hole Riddim)
Lea Luna - Leaving For Mars (B. Rich Remix 128)
Torqux n Twist - Doom's Night Dub
Metronomy - Radio Ladio (Radioclit Swedish Remix)
Tiga - What You Need (Zombie Nation Remix)
Jakwob - Wild Pitch
Douster - King Of Africa
Birdy Nam Nam - Parachute Ending
...
Pascal & Pearce - Disko Biskit
*Don't actually sue me. That would make you a cock.
Monday, September 07, 2009
The King Says Dance
Warning: This post has one of the best montages of kids dancing I've seen in a long time.
I like this. Do you like this? You should like this.
I like this. Do you like this? You should like this.
Friday, September 04, 2009
The Return
This post is back. Back again. Yeah, it's back. Tell a friend.
What do the above wonderful people have in common? Well, they're all nice enough to put aside a little time to come to Tokyo and play for the masses at Warp's 20th anniversary gig @Makuharu Messe, presented by electraglide.
For those of you who haven't heard of electraglide, their annual flagship gig in November was the premier electro event in Japan for many a year. Playing in Osaka and Tokyo, the likes of The Prodigy, Underworld, 2manydjs, !!!, Carl Cox, Tiga, Tim Deluxe, Darren Emerson, Sharam Jey, Coldcut, Sasha, Orbital, Vitalic, Fatboy Slim and X-Press2 laid it out each year.
But suddenly in 2006, there was no more electraglide.
I hit the 2004 gig, and have been waiting for another chance since then. The fact that I missed Underworld at the 05 gig (and twice more since then) haunts me. Even the excellent showcase of French electro that GanBan put on last year didn't quench my appetite. We wanted the 'glide back.
This years lineup is far from being fully announced yet, but so far it looks worth making the trip to Tokyo for (sorry Osaka, no show for you this year - story of our life). I'm not familiar with Battles but I'm being told that I should be. Flying Lotus had the Essential Mix of the Year in 2008, and !!! are always fun. But probably the biggest pull for me is Chris Cunningham. Not quite sure what to expect from the music, but the visuals should be intense.
Tickets have been out in pre-sale windows, and go on general sale tomorrow. Consider mine booked.
My Package
Warning: This post doesn't meet local standard dimensions.
So the folks are coming to Japan, and ipso facto my mother is frantically searching for what chunk of the homeland she can fit in her suitcase to bring over for me. She has a habit of sending whatever she can to me, magazines and chocolate being staple additions. Being 25 this all makes me feel a bit molly-coddled, but she seems to enjoy it, and hey, care-packages are always nice.
But I'm struggling to think about what I want from home. Sure, there's loads of stuff I love when I come back - most of them foods - but a lot of that doesn't travel well. She's promised some baking, which I am looking well forward to. Alcohol-wise, I'm still 2.25 bottles short of finishing the South gin my wonderful friends brought in August. So what else?
Would it be weird if I asked my parents to buy condoms for me?
Yeah, probably would be.
It's just that the Japanese ones tend to be a) made of this rubber that feels more like a small balloon than latex, and as such tends to shun lubrication rather too well, and b) - I'm not bragging, promise - they tend to be a little on the small side.
Without wanting to think too hard about it, I'm sure Japanese cock is more than satisfying, but it does seem to have a median a bit lower than my equipment. TMI, I know.
Just like with low overheads in doorways, I fail to see why they don't just make all condoms longer. A short guy can walk through a tall doorway, but a tall guy has to duck a lower one. A "short" guy can wear a longer rubber, but "longer" guys can't wear shorter ones (without it looking like the cock is wearing a hoodie with exposed midriff - now I KNOW I've gone too far with the mental imagery). Maybe they save a few square cm of materials, but come on.
Rodney recently found some "XL" condoms in the local supermarket, but I'm not sure if I can bring myself to buy protection with an elephant/horse/whale shark on the cover. However is asking Mum to pop down the chemists for 5 packs of Durex really the lesser evil?
I might just wait til I'm home in December.
Thursday, September 03, 2009
ExhAugusted
Warning: This post has nothing worth warning you about in it.
So August has come and gone, and my summer is basically over. I'd say the end came just after Mr. Chris's visit around Obon, as I spent the rest of the month in China. Looking back, it was all a bit intense:
- The locals of the last year all began to depart back to their countries of origin, and we lost a few good men and women. Still, I increased my potential locations to crash while travelling, if one is looking on the bright side. See you soon guys.
- Jake arrived and we hit Summer Sonic, which I was too busy to even do a delayed "live blog" for. If you're feeling ripped off, Jake's report on it sums the 2 days up well. While I missed Soulwax and Birdy Nam Nam, I did get to see NIN in their last tour (who were most excellent), and Aphex Twin, who was also quite intense. Boo-urns to Phoenix and Placebo for letting little things like their health get in the way of playing - you shall be redeemed when you come back for a separate tour. All in all, not as good as Fuji, but at least my clothes didn't get permanent mudstains.
- Jake left, to be replace by another certain Wellytownian. Chris and I, along with a tiny but fierce Swiss girl trekked down to Shikoku to Tokushima's Awa Odori. Thousands of dancers, tens of thousands of tourists, a warm evening by a river and more taiko than you can shake a drumstick at. Good times, though as our host was right to point out, it's OK to watch, but much more fun to do. And do I...uh...did.
- Chris moved on to bigger things (Europe), but not before getting his karaoke on - good times. Then I was left with 2 precious nights with the missus, one of which I had couch surfers, the other one she had work. Fantastic. Oh well - off to China.
- Various work-related crises overted, I return home to find my cellphone bill for roaming in China is 94,000yen. 940USD. 9 Bajillion New Zealand Dollars. Oh well - not using the iPhone overseas again...
- I made a mix of some tracks I got in August, and some tracks I've wanted to hear in a mix but haven't. It's terribly amateur at times, the volume needs normalising for starters, but hey it's a start. Start of what? We'll see, if I actually do continue trying to mix music. The mix is here.
- Somewhere in between China and coming back, all the Gaidai exchange students left, so now I have no friends I can pretend to be 20 with.
- Mio left for Spain for 3 weeks, completing my bereavement and leaving me with a next-door-neighbour, 2 random german guys crashing at my house and 3 bottles of South gin. Dangerous parameters.
September is gunning to be 3 weeks of recuperation, abstinence, exercise and work, with a final week with the parentals on a 5 day tiki tour of Japan. All of which are well needed.
Thursday, August 06, 2009
Who I'll be watching at Summer Sonic
Warning: If you haven't bought a ticket, you ain't coming.
Round 2 (well, three if you count the Star Festival) of La Musique a la Summer in Japan is Summer Sonic 09, a 10th anniversary edition over 3 days. Sadly they've gone for quantity over quality, and the lineup this year is far inferior to years gone by. However, a few gems are nestled amongst the wannabe's, enough that I've considered it good enough to go on both Saturday & Sunday. Here's my planned viewing schedule:
SATURDAY
[13.40] Girl Talk
The rather arrogant, very entertaining "mash-up DJ" Girl Talk plays early afternoon, possibly the worst timing at SS since MSTRKRFT played that early 2 years ago. While he should be excellent, it will be warm and light and it only makes me feel ever more justified in saying that the early dance acts should be at the Sonic Stage, inside where it's dark and cool.
[14:20] Phoenix
The distance between the Sky Stage and the Dance Stage and overlapping of Girl Talk and the friendly French boys from Phoenix may be enough to suggest skipping the former in favour of seeing the whole of the latter. They did indeed rock out when they played here in '05, so it'll be interesting to see how they bring it 2 albums later...
[16.10] Datarock
I only know the track Give It Up and Computer Camp Love from these guys, but they should be good fun back at the Dance Stage.
The songs are good, the video even better (see below).
[17.30] Tricky
One of the fine Bristol trip-hop crew from the 90s, if you don't know Tricky, you're a liar because you actually do know Tricky.
[17:55] Nine Inch Nails
Soon after Tricky starts, however, I think I'm going to have to head to the main stage to see what has been rumoured as NIN's final tour. They were excellent in 2005, as were the crowd.
[19:00] Soulwax
I can imagine this will pack out, but the boys from Belgium are always worth a look. Their set last year really showed their live incarnation is now their strong point.
[20:00] Aphex Twin
The last time I saw this guy, it was quite confusing indeed. Much as I love him for his mental breakdown music, I do hope he pulls something together that we can all enjoy. Live vids on youtube look promising.
SUNDAY
[13:10] Little Boots
Again, I feel they got this wrong - Little Boots is an outdoor stage girl, or at least the Dance Stage. The Sonic Stage is a bit too dark at 1pm for Miss Boots, but it should still be wonderful to see her.
[14:00] Yuksek
Though we'll miss half his set thanks to the commute, Yuksek should be a fun afternoon electronica affair.
[15:05] Placebo
Finally, after 9 long years the original androgynous emo boys (well, not ORIGINAL, but still "veteran") return to Japan. Their new album is severely mediocre, but their back catalogue is some of my favourite music. I do wonder how the crowd will take them - never hear their music here. Hoping they'll go down well.
(Placebo clashes with Birdy Nam Nam, 4 scratch DJs from France who do indeed look very impressive. I'll regret missing them, but it's a choice that needs to be made)
[16.40] Metronomy
A unique, impressive 3-piece of boys who look like jocks and play music like...a parallel universe made of playdough. Very nice use of brassy synth and strange guitar sounds, with catchy vocals. Music to dance in the strangest way possible to.
[18:30] CSS
Brazilian...electronic band fronted by an odd Japanese-Brazilian girl, who may be considered a cross between Bjork and Chicks on Speed. Should be fun - though I find a lot of their music a bit simple.
[20:10] Klaxons
I did enjoy these boys back in 07, when their album come out and they visited. The lead singer was in a wheelchair with a broken leg, and perhaps a bit sombre, but it all worked, mate. This time around? Who knows? They had a new album worked out, it got canned, and it's back to the drawing board. So will we hear more of the old, or some of the new? Who knows? Will I care enough? I may be a bit tired by then.
Youtube playlist of tracks from all of the above (though I suggest visiting it directly on youtube here, seeing as the friendly ppl at universal & emi won't let me embed their artist's videos).
FMF Trailer
Warning: Wes Anderson + Roald Dahl = Fantastic.
Might Roald Dahl be a better source of book-to-movie gold that even Steven King? While it may be a hard race to call, having grown up on Mr. Dahl's books (like many of us), I'm pleasantly impressed with how well he translates to the silver screen. Willy Wonka & the remake Charlie & The Chocolate Factory, , and his efforts at screenwriting for such gems as Chitty Chitty Bang Bang and my favourite Bond, You Only Live Twice. Even Matilda wasn't that bad.
The latest of Dahl's back catalogue to be utilised for the cinematic powers of good is Fantastic Mr. Fox, brought to life by the wonderful Wes Anderson (Royal Tenenbaums, Rushmore). The trailer looks awesome. The cast are the only remaining funny people left in Hollywood. The director is a mildly eccentric genius. Should be great.
FYI, my favourite Dahl book was The Twits, though I'm not so sure I want that to be made into a movie.
"I'm so cute and cuddly! I help you pee!"
Warning: Aaaaaaaaaahahahahahahahahahahahaha!
Available on a T-Shirt here, along with the rest of their fantastic lineup.
Tuesday, July 28, 2009
Fuji Rock Festival: The not-so-live blogging experience
Warning: These micro-posts are all on a 6+ day delay.
The cellphone coverage at Naeba Ski Resort (home of the Fuji Rock Festival again this year) was sufficiently patchy, and my interest in the outside world sufficiently minimal that I didn't manage much in the way of live status updates from Fuji.
However I do enjoy live micro-blogging from festivals and events, and in blatant disregard for the fact that this all happened days ago, I'm still going to bring you my report of Fuji Rock in time-stamped, twitter-esque form. Consider it delayed coverage, like if you don't have cable.
Here goes.
Friday, July 24th
[0:15] We're off! Just about to leave Namba, with a packed car and 5 excited passengers. I can't see out the back window for all the luggage. Red Bulls and pumping stereo are ready. Bring on 8 hours of driving!
[4:30] Sunrise and we're making great time. Alex, Yutaka and Kate are passed out in the back, while Mio's keeping me company as we listen to Diplo's Essential Mix from last year and admire the Sea of Japan from the passenger-side window.
[5.40] Some random guy in a van decided to tail me in my blindspot. He looked a little off the boil so we pulled off the highway to lose him. Should be in the mountains by 7am!
[6.50] Good news: Just saw the sign saying 10km to go! Bad news: it's spitting, and a call from Rob (who's already there) says it rained something atrocious last night.
[7.25] We have arrived! And we are immediately greeted by pouring rain. Didn't even start until we were out of the car. Queuing for wristbands. Pain.
[9:00] Tent's are up, but the rain's still coming down. I'm having a nap to make up for missing sleep last night.
[14:20] Down at the White Stage, and Major Lazer roll out in dashing suits with Brazilian dancers dressed in mummy-esque rags (Hottie Cat, I later found out). It's early days in the festival and already everyone's jumping up and down like maniacs
[14:45] Switch & Diplo drop Pon De Floor, and we get a circle going with a bunch of Brits and random Japanese girls. The ground is a slushy mess of muddy clay, and my sandals & legs are caked with it.
[15:05] Dubstep remix of a reggae track from their album. Madness!
[15:15] Walking back through the masses. Alex teaches some Japanese the meaning of the word "choad".
[16.30] Back up at the tent - we chose a spot up the top and jeez it's a mission to walk up. Nice view though, and the privacy is golden. Can hear Lily Allen playing a cover of Womanizer in the distance.
[18:20] Down at the Red Marquee (the only indoor stage, mainly for electronic acts) to see Peaches. She strolls out wearing a puffy jacket that somewhat resembles a peach, and a scary lycra balaclava. Strips out of it by the time she finishes the first song, and says "I'm Peaches, you can call me momo."
[18.50] These Japanese boys go crazy for Peaches. Her haircut is permed on top and shaved at the sides, in a kind of 80s scary lesbian style that goes with her crimson makeup across her eyes. Looking a bit old, but entertaining none the less, especially with her hot guitarist.
[18.55] "Shirts come off, shirts-shirts come off" says Peaches and most of the crowd (well, the male contingent) oblige.
[19:30] Dinner time. Most of the food here looks fantastic. Alex can't stop saying how the festival is "exactly like Glastonbury". Those doner kebabs look fantastic.
Taste even better.
[20:30] Red Marquee is fairly packed out for Simian Mobile Disco. They have their mixers stood up vertically, set into what look like record cases. The 3D feel to it looks like they're tinkering with a model of a building plan. The music is pounding and intense, the crowd responsive in kind.
[22:15] Chilling out in the food court, listening to Oasis blasting out at the Green Stage from across the way. Too packed & muddy to bother heading over there - only those prepared with gumboots and camping chairs can really handle the conditions.
[23:00] Eye from Japanese band The Boredoms starts up the "Planet Groove" all night session in the Red Marquee. He's OK - if The Boredoms themselves were here it would be 1000x more entertaining: those guys have drums. Lots of drums.
Saturday, July 25th
[0:30] Gang Gang Dance are on, and the crowd has swelled. People have been talking to me about these guys all day, but they're just 2 or 3 degrees too hippy-ish for us. Some white guy on stage is wearing what looks like a Tibetan postman's uniform and is holding a white flag made from a rubbish bag tied to an umbrella. The singer is impressive, but old and quite frankly a bit scary. House Jam sounds good, but the rest of the set doesn't go anywhere. It's like LCD Soundsystem in boring slow-motion.
[1:20] Finally, the hippies depart, calling on "Diplo & Switch". Seems it's just Diplo though.
[1:30] Pon De Floor does it's 2nd run of the night. Getting a bit of a vibe on now.
[2:05] Peaches is dancing on a speaker with her hot bassist. Diplo's revving the crowd up with his mike. Typical American DJs - but it's working.
[2:20] Stage is getting crowded: Switch is out there now. Diplo's chugging back red wine from a bottle. His Harder Better Faster Stronger remix gets spun.
[2:25] Diplo rinses out some solid dubstep.
[2:40] Fuck The Pain Away, and Peaches is dancing above the decks now.
[2:50] Diplo: "You guys have no idea what you're in for now." Well, some of us do. Buraka Som Sistema, a la Lisbon! DJ Riot, electronic drums, real drums, 2 MCs (the large Andro and the classy Kalaf Ângelo), and the exceedingly hot and vibrationally-talented MC Blaya.
[3:00] These guys are insane.
[3:05] They just blended in "Rhythm is a dancer"!! Fuck I haven't heard that in forever.
[3:15] Diplo is back on stage. Looks pretty drunk.
[3:20] Buraka just invited a whole bunch of girls up on stage. I thrust Mio over the bar and Kalaf was nice enough to say she was cool to come up. Peaches jumps back on the stage, they fire off some gun full of gold streamers and everyone's going nuts.
[3:30] Diplo has now scaled the lighting frame and is hanging from the ceiling like a monkey 2 metres above the stage. Motherfucker's brachiating.
[3.40] Buraka come to a close - amazing set with everything in it. Ass-shaking, pounding beats, talented MCs and one drunk American stealing the show. Diplo has now brought out a watergun and is shooting the MCs and the crowd - over the equipment of DJ Craze and Klever, who are very politely freaking out about it.
[4.15] Craze & Klever are ripping it up, but its basically more of the same as Diplo's set, with scratching - and we're tired. Let the exodus back up the hill to the tent commence.
[8.30] WTF - suddenly awake, to find the tent is sweltering. Stumble outside - hello sunshine! My happiness is competing heavily with my feeling of sweaty, sleep-deprived, dehydrated exhaustion.
[9.30] Kobo-chan has arrived, so I'll have to go pick him up from the carpark. Oh well - no more sleep for me.
[10.00] Chilling outside the tent - pretty sure I'm getting sunburnt. Bread, tinned tuna and bananas for brekkie.
[11.30] At an onsen just up the road. Heaven is washing away the night before. Alex can't stop saying how having an onsen is "nothing like Glastonbury". Nab a few beers at the combini on the way back and chill with a fairly odd Aussie and his very cool Japanese mate.
[14:30] There are a few bands on but noone big yet, so we'll take the cable car up to the Day Dreaming stage. First: watermelon, and a big bottle of Sangria.
[15:00] Jeez, this gondola is massive. Biggest in Japan, apparently. 20 minute ride up through the mountains - people like ants at the stages below.
[15:15] Christ - just saw some people in a gondola car going the other way, all wearing Doraemon masks. They looked more like hostages than like people enjoying themselves - hilariously unnerving.
[15:30] This stage is amazing! Like we've been transported to some kind of hippie central. Furry characters like pandas and rabbits are skipping after a girl playing a mouth organ. The music is reggae laced with some breaks, with a Japanese MC. Really chilled way to kill the afternoon.
[16:05] Sadly they're finishing at 16:30, and the rain's about to return. Back down the cable car - but not before bumping into our mates from Osaka again. Tequila shots in the gondola on the way back down.
[17:20] Back down at the Green Stage to see Ben Harper. "We're Relentless 7, and we're here to sing the blues."
[17:30] "We're Tim & Mio, and we're here to sit on a groundsheet and sleep away the early evening."
[17:40] Not a single classic Ben Harper track in sight. Looks like he left behind his soul tracks when he joined his new band. Tis a shame - the new sound is good, but not half as fun as last time I saw the guy.
[18:50] Dinner time: Pizza for me. Mio goes with curry with nan.
[19:40] Stroll back to the Green Stage to check out the Kiyoshiro Memorial gig. Perfect timing - Tortoise Matsumoto from the Ulfuls comes on to bash out a soulful tribute. Brings tears to my eyes, and I didn't even know who Kiyoshiro was until today. Matsumoto is all class - lots of passion and a fantastic voice.
[20:00] Hiroto and Mashi from The Blue Hearts come on to do a few tracks. Hiroto is a maniac - always chewing or moving his mouth even when he's not singing. "Rock n Roll will not die!" he proclaims in Japanese. Reminds me of Mick Jagger, perhaps a little uglier but great presence.
[20:15] A big group effort, a montage of Kiyoshiro footage on the big screens, and it's all over, with most of the crowd weeping. Beautiful send-off.
[21:30:] We move a bit closer for Franz Ferdinand. They come on to "Do You Wanna", which is good fun.
[21:50] Bit too many songs we don't know, and we're saving our energy. Nice visuals on the big screens though.
[22:30] Right - they've played "Take Me Out", and it's go time.
[23:00] Red Marquee's "Tribal Circus" tonight- first up: FAKE BLOOD! Being first kind of sucks though, as the crowds haven't really accumulated yet. He's wearing a woodcutter shirt. And he's bald. No way.
[23:05] "Love, it's a weird thing ain't it"
[23:??] Pulls out Sonic C's Stickin', which is about the 3rd time I've heard it this festival. Also pulls Pon De Floor, which seems to be the track of the weekend. Crowd's loving it.
Sunday July 26th
[0:05] "Mars!"
[0:15] Wow, that was over quick. Shame it wasn't a full 2 hours. 80kidz is getting packed, so I think we'll go outside for a break.
[0:45] Some nice drumnbass going on at the Ganban Night Stage - not sure who's playing, as the line-up isn't announced.
[1:00] Fake Blood just rolled up on the Ganban Night Stage! We rush down the front. He's only playing to around 100 people.
[1:30] This set is much more experimental. "I'm Horny" accapella on "Mars".
[1:50] ...and he wraps it up with some fun loops on "Voulez-vous" by Abba. That's more like it. Not as intense due to the crowd size, but a much more satisfying set.
[2:00] Damn, we've missed Bloody Beetroots.
[2:30] Still outside, eating pizza and chilling. Seems a shame to be missing all the music, but it's just as fun in the crowds of the courtyard.
[2:50] Back inside to see The Shoes. They're cranking it - far harder than when I saw them at Summer Sonic. Admittedly, that set was one of the first of the day, whereas this is one of the last.
[3:05] "Ich-ni-san-shi-go, Knock Out!" Sounds like they borrowed the vocalist from 80kidz for a Japanese sample.
[3:15] And to close out the night, Crookers!
[3:30] Fake Blood is dancing like a robotic nazi on their decks.
[4:00] This is turning into a quality set. Down by DZ just got dropped. Dubstep rears its brutish head yet again.
[4:30] Right, I'm spent. Wanted to stick around for Day N Nite, but I think that's enough for one day.
[10:30ish] Last day! Better get up and enjoy it. So tired. Kobo-chan is up and off already.
[11:30] First act I'm keen on is Jimmy Eat World at 15.50, so we spend the morning dancing to electro on Al's speakers and looking like idiots. This feels as much like Fuji Rock as the rest of it. Good times.
[15:00] Pack up most of the stuff and stroll down to the car. It starts pouring down and we seek shelter inside. By the time it stops it's looking hard to make it on time for Jimmy.
[16:30] Lunch: delicious pork on rice.
[18:00] More packing - now we're free to enjoy the evening.
[20:00] Waltz past Fall Out Boy on the way to Animal Collective. FOB sounding so much more sell-out that in years past, when I used to look forward to seeing them.
[20:15] Night lights are looking beautiful.
[20:40] Animal Collective come on. I don't know this band, but I've heard amazing things. Sadly, the things I'm hearing from the actual band aren't as amazing. 10 minutes in and it's obvious this is far too "experimental" (which I find is a polite word for "pretentious and botched attempt at originality").
[20:50] Decide to check out the other half of the festival. Stroll through the boardwalk, where they have hung mirrorballs in the forest. Serene.
[21:30] Chilling at the Orange Court, where Seun Kuti is playing, amid talking about women's "nyash", which seems to mean "ass".
[22:00] Back to the White Stage for the only real act I want to see today: Royksopp!
[22:30] Oh, they're just as awesome as I remember them. Bouncy bouncy fantasy music on a cool evening where the rain has blessedly stayed away. Anneli Drecker is doing the vocals - and the foxy dance moves.
[22:40] Obviously the only Japanese words Torbjørn knows are "Hai!" and "Honto ni arigatogozaimas!", but he uses them to great comic effect. A man after my true heart.
[23:00] After a downbeat, almost unrecognisable variation on What Else is There, Anneli dons an owl costume for Tricky Tricky, the other Karin track. This crowd is nice and fun, if a little tired.
[23:20] A one track encore, and they're done! 10 mins early, too. Sad. Still, stand-out performance from two of the (seemingly) nicest guys in electronic music.
[0:00] Finally make it back to the Green Stage to see Basement Jaxx. The rain may be gone, but the mud! Insanity. Half-wade, half-dance our way across the area. The Jaxx are bringing it fullsteam though, good times all round.
[0:30] Heading back to the car. Sure hope I can drive back safely. Gotta drop Kobo in Tokyo too.
[1.45] Right, everyone's here, we're packed, I've accidentally spilled Red Bull all over my seat, but we're off! Bye, Fuji Rock! See you next year!
Monday, June 29, 2009
...For the ladies
Lies & Damned Lies
Warning: 90% of statistics are made up - and when they aren't, rarely do they prove anything.
I've been quite thrilled to see the visit count on my blog get some serious boostage lately. The thought that my musings on seemingly arbitrary themes were gaining popularity makes my head swell most fetchingly. Especially seeing as I didn't post at all in April or May (blame China - I often do).
But sadly, it appears that the figures don't actually mean much. The most popular month this year was May.
Question: why would people read my blog more when I posted less?
Answer: They weren't reading it, they were imagining a naked woman.
And I mean that. Upon further research I noticed that almost all the visits to the blog were from google image search, and to my post about hot olympians. Most of them were image searches for Jennie Finch, the "hot" baseballer and Republican. I'm almost tempted to remove her - how can I sleep knowing that 99% of my blog love is all because of the male love of the female figure - and a right-wing figure, at that?
Moral of the story? Sex sells. Don't try to deny it.
I'll never stoop to such base levels of marketing my blog again.
Meanwhile, here's a picture of Aoi Miyazaki.
I mean, just damn. If you don't like that, no more women for you.*
*If you don't like women, of course, that's no problem. Besides, that means all the more for the rest of us.
Tuesday, June 23, 2009
Afraid of the dark?
Warning: This post contains graphic makeup. And bugs.
Photography buff blog Sooth Brush posted some time last year about the delightfully chilling work of a certain Joshua Hoffine, a man obsessed (possessed) with childhood fear art photography. The brilliant composition and art that goes into the pics is just as impressive as the fact that they aren't photoshop edits, but straight shots with only colour adjustments and tweaking done by computer. The rest is all family & friends, a bunch of free time and an artful eye, resulting in vivid images that shock in their contrast of stark gore with symbols of purity & innocence.
Check out Joshua's site to buy signed prints - or even a brooch version of the beasty below. Or just give him blog love.
Props to Rodney for the linkage.
Sunday, June 21, 2009
Not something you see every day
Warning: This post contains footage that may be beat-influenced
Ayoji, aka. Yoji Biomehanika, rocked up to Triangle a week ago as a "secret special guest". Probably the worst kept secret in Osaka, judging by the crowds reaction. The reason he wasn't headlining was purely because he wasn't DJing; evidently the man wanted to try out his guitar skills and didn't feel they were polished enough to do it officially. Good fun all the same - not the most amazing set, but certainly one of the rarer ones you'll see around here.
Here's about a minute of it:
Ayoji, aka. Yoji Biomehanika, rocked up to Triangle a week ago as a "secret special guest". Probably the worst kept secret in Osaka, judging by the crowds reaction. The reason he wasn't headlining was purely because he wasn't DJing; evidently the man wanted to try out his guitar skills and didn't feel they were polished enough to do it officially. Good fun all the same - not the most amazing set, but certainly one of the rarer ones you'll see around here.
Here's about a minute of it:
Killing time on Youtube
Warning: This post is a collection of entertaining time wasters.
I think anyone who has ever used the internet has spent time procrastinating on Youtube more than once or twice, and between that and posts on Facebook you've probably seen these before. However, for those not in the viral video loop, here's a few gems I came across lately.
Drumnbass Church Rave - very well edited
Hammertime in an LA store - flashmob at its best
Nyuki nyuki nyuki - give a girl a camera...
Damian Walters - gymnast, stuntguy, spiderman
Now, go forth and waste time.
I think anyone who has ever used the internet has spent time procrastinating on Youtube more than once or twice, and between that and posts on Facebook you've probably seen these before. However, for those not in the viral video loop, here's a few gems I came across lately.
Drumnbass Church Rave - very well edited
Hammertime in an LA store - flashmob at its best
Nyuki nyuki nyuki - give a girl a camera...
Damian Walters - gymnast, stuntguy, spiderman
Now, go forth and waste time.
Dubstep Rude? Very.
Warning: This post rinsed it out hard Friday night.
Caspa made his Japan debut @ Noon in Osaka last Friday, and though the crowd was a bit thin (half the crew I know weren't even in the city - well done guys), the guy still pulled out a set bulging with bass, turning the club inside out.
Chatting to Gary (Caspa) on the night, despite my intoxicated state I did manage to get a few coherent questions out about how he was enjoying the scene. He said tho Japan was small he was impressed with the committment here, and though he loved making tracks, there's nothing like bringing it to the masses.
And bring he did.
Jah Works Sound Systems in Sakai brought out a sound system so large that I struggle to think how they got it through the door. Come Sunday I'm still feeling the buzz in my ears - and on the night I remember feeling the cartilage in my nose vibrate. Madness.
The lack of art from the night is on account of me forgetting my memory card, and being too Jagered up to get anyone's addy for their pics. Still, here's the promo mix Caspa dished out on the night. Short but sweet and...dutty.
Edit: Toshi sent me a few pics including this mint one of Caspa on the decks. Big ups!
Holy crap
Warning: This post is a BIG FUCKING ROBOT
To celebrate the 30th anniversary of the anime Gundam, the crazy Japanese have decided to build a temporary monument in Odaiba in Tokyo.
A LIFESIZE motherfucker. That's 18m.
Although I don't really follow Gundam to any obsessive extent - OK, any extent at all - I still love a good giant robot.
For now its just a static thing, but imagine the awesomeness if they made the thing move. Even the fingers or the arms. Damn.
Friday, June 19, 2009
...and progression (Sonifi)
Warning: This post is the reeeemiixxxxxxx.
So as I mentioned earlier, Rose of Jericho from BT wasn't really doing it for me like I wished it would. Listening to the more subtle points of it, the quality of sound is actually very BT, but it's all overshadowed by a very generic, fairly garden-variety thumpthumpthump of a progressive house/trance bassline. Even a 30 second rip-it-all apart segment in the middle would have tacked 2 extra stars on my rating of it. The remixes on the release (Sultan & Ned Sheperd, Robbie Riviera) are also underwhelming - the former is just a more generic house rendition, and the later feels like an attempt at currently-trendy electro that falls short.
There is one more remix on the market, though, and this one rocks the party that rocks the mutha-loving party.
For non-BT fanboys and girls, you may or may not have heard of Sonifi, an iPhone app that the man and his crew have been slaving over for some impressive amount of time. The app essentially allows live remixing of tracks using the iPhone. LoFi, Low Pass & High Pass filters are activated by sliding fingers on the screen. Each of the 4 layers of the track (melody, extra synth, bass, beats) have multiple samples available to interchange between. And finally and perhaps most impressive of all, is BT's own Stutter Edit effect, activated by shaking the iPhone - not 1, but in 3 different axes to achieve 3 different effects.
That's 3-dimensional remixing, ladies and gentlemen. 3 dimensions. Count them.
The thing is so piss-easy to use it could make a toddler seem like a pro-dj, and yet has enough going for it that it's far more than just pushing buttons. It's highly addictive.
All good things are by no means perfect: there's only one track available as yet; Rose of Jericho. It could have extra options like a time remaining bar or a tempo gauge, but I'm just hunting for faults now. All in all, it's a fantastic piece of innovative work, and I'm more than impressed.
One more fault though - it's extremely addictive. I think my productivity for Friday afternoon has just been reduced to zero.
Here's a vid of a guy playing with it.
Wednesday, June 10, 2009
Re-progression
Warning: This post takes a step backwards.
Today BT released his first musical work since the eclectic and ambient This Binary Universe(2006). The track - available "exclusively" at Beatport.com and only to US customers - is entitled Rose of Jericho, and currently has 3 mixes (the album mix and 2 remixes) out, with another 3 to come in 2 weeks time.
Three years after BT decided to tread a different path with TBU - a beautiful album, but entirely bereft of "club music" - he's brought himself back somewhat to his prog-house/trance days, in the vein of Godspeed or Namaste from Movement in Still Life(1999). Words like "eagerly awaited" spring to mind - Movement was an amazing album (still is, 10 years on), and while the successive Emotional Technology (2003) and TBU are masterpieces in their own right, fans have been wondering when the man might come back and make something that will blow them away on the dancefloor. I am one of those fans.
Damn.
Picking up Movement in 2001, purely because I'd seen the cover so many times at Real Groovy that I became too curious, I'd have to say BT put me firmly on the train towards being the electronica fan I am today. His attention to detail in the sound, beautiful synth and vocals over more than a simple house beat, mixed in with breaks and flourishes that no-one like Sash! or Paul Van Dyke could pull off, I was thoroughly smitten. Seeing him live in Auckland twice at God's Kitchen and Two Tribes, he easily outshone "bigger name" DJs like Mauro Picotto, Above & Beyond & Tomcraft) with both sets, mostly with superior track choice and energy. Let's face it, the guy's a hero of mine. And he doesn't sing too shabbily either.
Spot the fanboy
Listening to Rose Of Jericho today though, I'm yet to be impressed by it. Sure, it's a decent track, but hardly as memorable as I expect from the man. The beat reeks of Tiesto & Van Dyke, which I guess the Cali crowd lap up (judging by how packed Tiesto was on NYE 07/08 in LA). The synth is tight, but it's minimal, progressive, and fairly easily forgotten. No vocal, no drop, no breaks. It could have been written by any generic house name. Especially Du Monde, or Deadmau5 on an unproductive day.
Maybe I've moved on, or maybe he has. But I swear I still hold a special place in my heart for BT's exceptional work - I'm just not quite sure this qualifies.
Album will be out near the end of the year, which may be a totally different kettle of fish. For now, I'm going to go listen to Hybrid to fill the void.
Edit: Checking a few clips kicking around of stuff he's working on for the album, they did sound better. Here's hoping!
Thursday, June 04, 2009
Underdog
Tetralogistics@Triangle
Warning: This post provides a small, intimate setting that probably doesn't break revenue costs.
Talking with a friend in the Osaka electronic music scene recently, it came to my attention that perhaps Osaka is fighting a losing battle in the electro scene. While I'm not surprised that Tokyo pulls the bigger acts and has the more well-known scene, after hitting clubs in Osaka, Kyoto and Tokyo I can confidently say that the Easterners have nothing on the vibe of the West. In this case, bigger simply does not equal better.
Of course, in the case of massive festival gigs, Osaka can't win. Tokyo has the huge ageHa (though it's usually reserved for the kind of sickly, overground house - think DJ Emma - and local acts like Takkyu Ishino), and the immense Makuhari Messe (home of Summer Sonic, Ganban Night, and the now-extinct Electroglide). Osaka, by comparison, only really has Studio Partita ("Black Chamber"), about half the size of ageHa, meaning while it is fantastic in its own right, pulls less than half the revenue. I'll concede Tokyo has the large-scale events in the bag.
Womb:Intense...perhaps TOO intense
But it's the small events where I think Osaka reigns supreme. Tokyo's big electronica clubs, Womb, Air, Unit etc. are all spacious, but also full of the usual fronting you get in hip-hop clubs. The location tends to be near semi-residential areas, which means the clubs have a responsibility to keep the external noise from the patrons coming and going to a minimum. Nothing kills my buzz more than having a security guard tell me to stop being so excitable when I arrive. Come on now.
With the lights on, it's tiny. But on the dancefloor, it's perfect.
Osaka's clubs are smaller, which means they often take in less than a third in revenue on what can be made in Tokyo. But that size creates a community and intimacy that I revel in. Some people prefer not to know everyone at the gig, but for me if we're all mates one way or another, the whole place reverberates with the vibe. No cold, heartless pushing to the front. No "pick-up bar" feel to it. Everyone's there for the music, and each other. Sounds pretty hippie, huh. Meh - that's how I roll.
Anyway, point being - clubs like Triangle, LabTribe, and Onzieme need your help! It's up to you to keep electronica alive in Osaka - otherwise we'll all be stuck going to Pure or listening to DJ Kaori.
Warning: This post provides a small, intimate setting that probably doesn't break revenue costs.
Talking with a friend in the Osaka electronic music scene recently, it came to my attention that perhaps Osaka is fighting a losing battle in the electro scene. While I'm not surprised that Tokyo pulls the bigger acts and has the more well-known scene, after hitting clubs in Osaka, Kyoto and Tokyo I can confidently say that the Easterners have nothing on the vibe of the West. In this case, bigger simply does not equal better.
Of course, in the case of massive festival gigs, Osaka can't win. Tokyo has the huge ageHa (though it's usually reserved for the kind of sickly, overground house - think DJ Emma - and local acts like Takkyu Ishino), and the immense Makuhari Messe (home of Summer Sonic, Ganban Night, and the now-extinct Electroglide). Osaka, by comparison, only really has Studio Partita ("Black Chamber"), about half the size of ageHa, meaning while it is fantastic in its own right, pulls less than half the revenue. I'll concede Tokyo has the large-scale events in the bag.
Womb:Intense...perhaps TOO intense
But it's the small events where I think Osaka reigns supreme. Tokyo's big electronica clubs, Womb, Air, Unit etc. are all spacious, but also full of the usual fronting you get in hip-hop clubs. The location tends to be near semi-residential areas, which means the clubs have a responsibility to keep the external noise from the patrons coming and going to a minimum. Nothing kills my buzz more than having a security guard tell me to stop being so excitable when I arrive. Come on now.
With the lights on, it's tiny. But on the dancefloor, it's perfect.
Osaka's clubs are smaller, which means they often take in less than a third in revenue on what can be made in Tokyo. But that size creates a community and intimacy that I revel in. Some people prefer not to know everyone at the gig, but for me if we're all mates one way or another, the whole place reverberates with the vibe. No cold, heartless pushing to the front. No "pick-up bar" feel to it. Everyone's there for the music, and each other. Sounds pretty hippie, huh. Meh - that's how I roll.
Anyway, point being - clubs like Triangle, LabTribe, and Onzieme need your help! It's up to you to keep electronica alive in Osaka - otherwise we'll all be stuck going to Pure or listening to DJ Kaori.
Wednesday, June 03, 2009
You Rang...
First iPhoto I iTook with iMy iPhone (outside our iOffice)
Warning: This post uses outdated technology. Updating can be financially taxing.
I'm fresh back from a 6-week stint in China, during which I couldn't really/maybe could have but was too tired/lazy to update the blog. It's not the first time, and surely not the last. But all good procrastination/hiatus must come to an end, so here we are.
I had a list of gripes about China, but I lost it, and it's hardly fun to get back to posting with a bitch session, now is it?
On a more positive note, back in Japan and with my pockets lined with hard earned cash, I found a spending spree was in order, and the first order of business was ditching the old burner. About time to get an iPhone.
Though I spend stupid amounts of money on gadgetry across the board, I very rarely pick something up on the launch date. Got a PS2 well over a year after they came out. My PSP, DS, Xbox 360 were all years after the first ones came out (though the DS and PSP were new editions of the same). I always buy my cameras one model older than the latest, and my iPods and cellphones are not the newest on the market.
Reasoning? The first is money, and the second is customer feedback. Without fail, any major electronic release (esp. gaming) gets a barrage of online forum complaints about bugs and defects. Look at the debacle with the first Wii, or how desparate people were for new iPhone software the day it came out. I love new stuff, but in this case I'd rather wait for the DVD release (so to speak), just in case the movie isn't that good.
iPhones have dropped fantastically in price since their release in Japan, for the basic fact that they are not at all geared for Japan's needs. No infra-red (the most popular way to share contact details and data here), no cell internet (including sites to pick up purikura (those cute Japanese photo booth things) online, and no microSD drive for storing off the hard drive. Plus, the phone treats email like normal computer email, where in Japan cellphone email is the substitute for inter-network SMS. However, for a net-loving gaijin in a country with wi-fi almost everywhere, it's fabulous. Not perfect, but quite nice.
I may be approaching my quarter century, but I'm still a kid who likes his toys, even if they're not the latest ones on the shelf.
Warning: This post uses outdated technology. Updating can be financially taxing.
I'm fresh back from a 6-week stint in China, during which I couldn't really/maybe could have but was too tired/lazy to update the blog. It's not the first time, and surely not the last. But all good procrastination/hiatus must come to an end, so here we are.
I had a list of gripes about China, but I lost it, and it's hardly fun to get back to posting with a bitch session, now is it?
On a more positive note, back in Japan and with my pockets lined with hard earned cash, I found a spending spree was in order, and the first order of business was ditching the old burner. About time to get an iPhone.
Though I spend stupid amounts of money on gadgetry across the board, I very rarely pick something up on the launch date. Got a PS2 well over a year after they came out. My PSP, DS, Xbox 360 were all years after the first ones came out (though the DS and PSP were new editions of the same). I always buy my cameras one model older than the latest, and my iPods and cellphones are not the newest on the market.
Reasoning? The first is money, and the second is customer feedback. Without fail, any major electronic release (esp. gaming) gets a barrage of online forum complaints about bugs and defects. Look at the debacle with the first Wii, or how desparate people were for new iPhone software the day it came out. I love new stuff, but in this case I'd rather wait for the DVD release (so to speak), just in case the movie isn't that good.
iPhones have dropped fantastically in price since their release in Japan, for the basic fact that they are not at all geared for Japan's needs. No infra-red (the most popular way to share contact details and data here), no cell internet (including sites to pick up purikura (those cute Japanese photo booth things) online, and no microSD drive for storing off the hard drive. Plus, the phone treats email like normal computer email, where in Japan cellphone email is the substitute for inter-network SMS. However, for a net-loving gaijin in a country with wi-fi almost everywhere, it's fabulous. Not perfect, but quite nice.
I may be approaching my quarter century, but I'm still a kid who likes his toys, even if they're not the latest ones on the shelf.
Thursday, March 12, 2009
(Rugby World Cup) Final-ly
Warning: Kicking the ball between this post does not score 3 points.
I remember being ecstatic when NZ pulled out a coup and won the rights for the Rugby World Cup in 2011, but it was so long ago that I've actually lost touch with the fact that it will be played down under in September 2011.
Assuming NZ makes the final (which, as we all know, is less likely than not, given previous history), then it will be 1400 big ones to go see them try to break a losing streak that dates over 20 years now. However, if the exchange rate with yen is anything like it is right now, that's only 70,000 yen, i.e. a lot less than the Football WC Final was in Japan. So, I may well consider getting in there.
The reason this comes up is that it adds a spanner in the works of my travelling plans - which were to quit work and travel for the 9 months or so starting April 2010. But if I were to try to hit this, and I'm not the country in 2011 (seems unlikely atm), then it might be a bit much on the old savings. So, perhaps I should start in 2011 and finish up in NZ?
Having said that, I'll be 27 by then, and I like the idea of travelling before I get to the age that I'm thinking about being a bit more grounded and the like.
Hrmm. Thoughts?
Are you ready for it?
Warning: This music video will (space-)invade your reality.
I do like a good music video. There's something beautiful about being able to use 3-5 minutes and no soundtrack (bar the music, of course) to create something with meaning or unique cinematic vision. Something akin to what Brian Eno said when he was hired by Microsoft to write the start-up theme for Windows 95: he became obsessed with these mini-symphonies and expressing so much with so little.
A good music video is not just one of shots of the band playing - though if you can work them in there, that's always useful so people know who they are. Failing that, editing in time with the music is (IMHO) absolutely essential. Anyone who's seen a live gig or DVD filmed by MTV knows how terrible bad editing on music can be. It's like nails down a blackboard for me.
So, I'm pleasantly satisfied with Royksopp's video for Happy Up Here. I do love CGI that looks like it's shot with handheld cameras (the only thing that made Cloverfield look cool). Joss Whedon's Firefly TV series was full of fantastic graphics like this, and it also reminds me of The Pheonix Foundation's Hitchcock (with the acrobatic Ladas). Plus the idea is cute, fits the music and it's not a pixelated, low-qual piece of trash. All charm-points.
You know, I really like it.
Happy Up Here from Röyksopp on Vimeo.
Junior, Royksopp's long-awaited new LP, in stores (including) iTunes March 23rd! For the last two albums they put out awesome special editions in Japan with bonus CDs full of B-Sides and new artwork - do that again pleasethanks
I do like a good music video. There's something beautiful about being able to use 3-5 minutes and no soundtrack (bar the music, of course) to create something with meaning or unique cinematic vision. Something akin to what Brian Eno said when he was hired by Microsoft to write the start-up theme for Windows 95: he became obsessed with these mini-symphonies and expressing so much with so little.
A good music video is not just one of shots of the band playing - though if you can work them in there, that's always useful so people know who they are. Failing that, editing in time with the music is (IMHO) absolutely essential. Anyone who's seen a live gig or DVD filmed by MTV knows how terrible bad editing on music can be. It's like nails down a blackboard for me.
So, I'm pleasantly satisfied with Royksopp's video for Happy Up Here. I do love CGI that looks like it's shot with handheld cameras (the only thing that made Cloverfield look cool). Joss Whedon's Firefly TV series was full of fantastic graphics like this, and it also reminds me of The Pheonix Foundation's Hitchcock (with the acrobatic Ladas). Plus the idea is cute, fits the music and it's not a pixelated, low-qual piece of trash. All charm-points.
You know, I really like it.
Happy Up Here from Röyksopp on Vimeo.
Junior, Royksopp's long-awaited new LP, in stores (including) iTunes March 23rd! For the last two albums they put out awesome special editions in Japan with bonus CDs full of B-Sides and new artwork - do that again pleasethanks
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