Showing posts with label japan. Show all posts
Showing posts with label japan. Show all posts

Wednesday, October 28, 2009

Megadrive


Warning: This post does not accept game cartridges.

DJ Sega played at Triangle last Friday, coming all the way from Pennsylvania to hit us with the East Coast ish that got the guy onto Diplo's Mad Decent label. The electro junkies at Triangle just didn't know what to do with it - is it hip-hop? is it dubstep? Are his decks skipping?

Baltimore beat (there's probably another term for it, but I'm not very genre-savvy) is indeed unique, but it's not hard to see where it came from. My guess is it's just a tangent of the East Coast hip-hop sound, where a few DJs decided they'd rather screw with samples of other tracks than just lay down a beat for an MC to spit on. The upside is in it's shock value - "hey I love this son-what the hell is he doing to it?!", where the downside is, to be frank, it's a bit repetitive. As soon as you pronounce the bassline, you've got to do more things with it than just boom, boom, b-b-boom. Still, if you can get past that, the key is in hearing Nirvana and Michael chopped to death. That, and wonderful moments like this one below.


The track did get a little bit more expansive with it's sampling, but hardly - so you get the repetition. But the fact that Timmy! is obviously having a brain explosion over a beat is extremely entertaining, to this patron, at least.

The crowd swelled at the start, but slowly dropped off til we had a lot of the dancefloor to ourselves. Shame, really - not often Osaka gets a change of pace like that.

Nice work Sega - now, if you wouldn't mind giving me back my girlfriend before you go...cheers.

Tuesday, October 27, 2009

Revisited



Warning: Those of you with low tolerance for bad singing should NOT watch the below video.

I've had my 4th group of Kiwi visitors come and go last week, with Caroline & Edwina dragging along a couple of mates and camping out in my spare room for 6 days.
We took the girls along for a long-awaited sesh in the karaoke rooms, with the Energizer Bucky (he just keeps going when he's on the mike) and "Dios" Mio (who is indeed a vocal OMG).
We hit a point 2 hours in with 3 tracks - Bohemian Rhapsody, In The End and Wannabe (yes, we are shameless) where the energy was so high that...well, it's been a long time since karaoke like that. We should have sung "Like a Virgin", because that's how it felt. I even think there was bleeding.

Looking back on the videos, however, is a bit like seeing drunken photos. Did I really look that munted? Or, in this case, did we really sound that bad?
I had a feeling we did - well, that *I* did, as recently I lose my voice after an hour of the 'roke. But I didn't expect we'd sound like sick dogs going down a coal-chute.
Still, this video is very entertaining, if only for Mio's reaction to our stupidity.
Enjoy. At least, don't judge me. More than you already have.

Friday, September 04, 2009

The Return


This post is back. Back again. Yeah, it's back. Tell a friend.


What do the above wonderful people have in common? Well, they're all nice enough to put aside a little time to come to Tokyo and play for the masses at Warp's 20th anniversary gig @Makuharu Messe, presented by electraglide.

For those of you who haven't heard of electraglide, their annual flagship gig in November was the premier electro event in Japan for many a year. Playing in Osaka and Tokyo, the likes of The Prodigy, Underworld, 2manydjs, !!!, Carl Cox, Tiga, Tim Deluxe, Darren Emerson, Sharam Jey, Coldcut, Sasha, Orbital, Vitalic, Fatboy Slim and X-Press2 laid it out each year.
But suddenly in 2006, there was no more electraglide.

I hit the 2004 gig, and have been waiting for another chance since then. The fact that I missed Underworld at the 05 gig (and twice more since then) haunts me. Even the excellent showcase of French electro that GanBan put on last year didn't quench my appetite. We wanted the 'glide back.

This years lineup is far from being fully announced yet, but so far it looks worth making the trip to Tokyo for (sorry Osaka, no show for you this year - story of our life). I'm not familiar with Battles but I'm being told that I should be. Flying Lotus had the Essential Mix of the Year in 2008, and !!! are always fun. But probably the biggest pull for me is Chris Cunningham. Not quite sure what to expect from the music, but the visuals should be intense.

Tickets have been out in pre-sale windows, and go on general sale tomorrow. Consider mine booked.

My Package


Warning: This post doesn't meet local standard dimensions.

So the folks are coming to Japan, and ipso facto my mother is frantically searching for what chunk of the homeland she can fit in her suitcase to bring over for me. She has a habit of sending whatever she can to me, magazines and chocolate being staple additions. Being 25 this all makes me feel a bit molly-coddled, but she seems to enjoy it, and hey, care-packages are always nice.

But I'm struggling to think about what I want from home. Sure, there's loads of stuff I love when I come back - most of them foods - but a lot of that doesn't travel well. She's promised some baking, which I am looking well forward to. Alcohol-wise, I'm still 2.25 bottles short of finishing the South gin my wonderful friends brought in August. So what else?

Would it be weird if I asked my parents to buy condoms for me?

Yeah, probably would be.

It's just that the Japanese ones tend to be a) made of this rubber that feels more like a small balloon than latex, and as such tends to shun lubrication rather too well, and b) - I'm not bragging, promise - they tend to be a little on the small side.
Without wanting to think too hard about it, I'm sure Japanese cock is more than satisfying, but it does seem to have a median a bit lower than my equipment. TMI, I know.
Just like with low overheads in doorways, I fail to see why they don't just make all condoms longer. A short guy can walk through a tall doorway, but a tall guy has to duck a lower one. A "short" guy can wear a longer rubber, but "longer" guys can't wear shorter ones (without it looking like the cock is wearing a hoodie with exposed midriff - now I KNOW I've gone too far with the mental imagery). Maybe they save a few square cm of materials, but come on.

Rodney recently found some "XL" condoms in the local supermarket, but I'm not sure if I can bring myself to buy protection with an elephant/horse/whale shark on the cover. However is asking Mum to pop down the chemists for 5 packs of Durex really the lesser evil?

I might just wait til I'm home in December.

Thursday, September 03, 2009

ExhAugusted

Sexified
Warning: This post has nothing worth warning you about in it.
So August has come and gone, and my summer is basically over. I'd say the end came just after Mr. Chris's visit around Obon, as I spent the rest of the month in China. Looking back, it was all a bit intense:
Leaving Crew
- The locals of the last year all began to depart back to their countries of origin, and we lost a few good men and women. Still, I increased my potential locations to crash while travelling, if one is looking on the bright side. See you soon guys.
Summer Sonic
- Jake arrived and we hit Summer Sonic, which I was too busy to even do a delayed "live blog" for. If you're feeling ripped off, Jake's report on it sums the 2 days up well. While I missed Soulwax and Birdy Nam Nam, I did get to see NIN in their last tour (who were most excellent), and Aphex Twin, who was also quite intense. Boo-urns to Phoenix and Placebo for letting little things like their health get in the way of playing - you shall be redeemed when you come back for a separate tour. All in all, not as good as Fuji, but at least my clothes didn't get permanent mudstains.

- Jake left, to be replace by another certain Wellytownian. Chris and I, along with a tiny but fierce Swiss girl trekked down to Shikoku to Tokushima's Awa Odori. Thousands of dancers, tens of thousands of tourists, a warm evening by a river and more taiko than you can shake a drumstick at. Good times, though as our host was right to point out, it's OK to watch, but much more fun to do. And do I...uh...did.

- Chris moved on to bigger things (Europe), but not before getting his karaoke on - good times. Then I was left with 2 precious nights with the missus, one of which I had couch surfers, the other one she had work. Fantastic. Oh well - off to China.

- Various work-related crises overted, I return home to find my cellphone bill for roaming in China is 94,000yen. 940USD. 9 Bajillion New Zealand Dollars. Oh well - not using the iPhone overseas again...

- I made a mix of some tracks I got in August, and some tracks I've wanted to hear in a mix but haven't. It's terribly amateur at times, the volume needs normalising for starters, but hey it's a start. Start of what? We'll see, if I actually do continue trying to mix music. The mix is here.

- Somewhere in between China and coming back, all the Gaidai exchange students left, so now I have no friends I can pretend to be 20 with.

- Mio left for Spain for 3 weeks, completing my bereavement and leaving me with a next-door-neighbour, 2 random german guys crashing at my house and 3 bottles of South gin. Dangerous parameters.

September is gunning to be 3 weeks of recuperation, abstinence, exercise and work, with a final week with the parentals on a 5 day tiki tour of Japan. All of which are well needed.

Thursday, August 06, 2009

Who I'll be watching at Summer Sonic

Fuji Rock-Summer Sonic 09
Warning: If you haven't bought a ticket, you ain't coming.

Round 2 (well, three if you count the Star Festival) of La Musique a la Summer in Japan is Summer Sonic 09, a 10th anniversary edition over 3 days. Sadly they've gone for quantity over quality, and the lineup this year is far inferior to years gone by. However, a few gems are nestled amongst the wannabe's, enough that I've considered it good enough to go on both Saturday & Sunday. Here's my planned viewing schedule:

SATURDAY


[13.40] Girl Talk
The rather arrogant, very entertaining "mash-up DJ" Girl Talk plays early afternoon, possibly the worst timing at SS since MSTRKRFT played that early 2 years ago. While he should be excellent, it will be warm and light and it only makes me feel ever more justified in saying that the early dance acts should be at the Sonic Stage, inside where it's dark and cool.

[14:20] Phoenix
The distance between the Sky Stage and the Dance Stage and overlapping of Girl Talk and the friendly French boys from Phoenix may be enough to suggest skipping the former in favour of seeing the whole of the latter. They did indeed rock out when they played here in '05, so it'll be interesting to see how they bring it 2 albums later...

[16.10] Datarock
I only know the track Give It Up and Computer Camp Love from these guys, but they should be good fun back at the Dance Stage.
The songs are good, the video even better (see below).

[17.30] Tricky
One of the fine Bristol trip-hop crew from the 90s, if you don't know Tricky, you're a liar because you actually do know Tricky.

[17:55] Nine Inch Nails
Soon after Tricky starts, however, I think I'm going to have to head to the main stage to see what has been rumoured as NIN's final tour. They were excellent in 2005, as were the crowd.

[19:00] Soulwax
I can imagine this will pack out, but the boys from Belgium are always worth a look. Their set last year really showed their live incarnation is now their strong point.

[20:00] Aphex Twin

The last time I saw this guy, it was quite confusing indeed. Much as I love him for his mental breakdown music, I do hope he pulls something together that we can all enjoy. Live vids on youtube look promising.

SUNDAY

[13:10] Little Boots
Again, I feel they got this wrong - Little Boots is an outdoor stage girl, or at least the Dance Stage. The Sonic Stage is a bit too dark at 1pm for Miss Boots, but it should still be wonderful to see her.

[14:00] Yuksek
Though we'll miss half his set thanks to the commute, Yuksek should be a fun afternoon electronica affair.

[15:05] Placebo
Finally, after 9 long years the original androgynous emo boys (well, not ORIGINAL, but still "veteran") return to Japan. Their new album is severely mediocre, but their back catalogue is some of my favourite music. I do wonder how the crowd will take them - never hear their music here. Hoping they'll go down well.

(Placebo clashes with Birdy Nam Nam, 4 scratch DJs from France who do indeed look very impressive. I'll regret missing them, but it's a choice that needs to be made)

[16.40] Metronomy
A unique, impressive 3-piece of boys who look like jocks and play music like...a parallel universe made of playdough. Very nice use of brassy synth and strange guitar sounds, with catchy vocals. Music to dance in the strangest way possible to.

[18:30] CSS
Brazilian...electronic band fronted by an odd Japanese-Brazilian girl, who may be considered a cross between Bjork and Chicks on Speed. Should be fun - though I find a lot of their music a bit simple.

[20:10] Klaxons
I did enjoy these boys back in 07, when their album come out and they visited. The lead singer was in a wheelchair with a broken leg, and perhaps a bit sombre, but it all worked, mate. This time around? Who knows? They had a new album worked out, it got canned, and it's back to the drawing board. So will we hear more of the old, or some of the new? Who knows? Will I care enough? I may be a bit tired by then.

Youtube playlist of tracks from all of the above (though I suggest visiting it directly on youtube here, seeing as the friendly ppl at universal & emi won't let me embed their artist's videos).

"I'm so cute and cuddly! I help you pee!"


Warning: Aaaaaaaaaahahahahahahahahahahahaha!

Available on a T-Shirt here, along with the rest of their fantastic lineup.

Tuesday, July 28, 2009

Fuji Rock Festival: The not-so-live blogging experience

It's Go Time!
Warning: These micro-posts are all on a 6+ day delay.

The cellphone coverage at Naeba Ski Resort (home of the Fuji Rock Festival again this year) was sufficiently patchy, and my interest in the outside world sufficiently minimal that I didn't manage much in the way of live status updates from Fuji.
However I do enjoy live micro-blogging from festivals and events, and in blatant disregard for the fact that this all happened days ago, I'm still going to bring you my report of Fuji Rock in time-stamped, twitter-esque form. Consider it delayed coverage, like if you don't have cable.
Here goes.

Friday, July 24th


[0:15] We're off! Just about to leave Namba, with a packed car and 5 excited passengers. I can't see out the back window for all the luggage. Red Bulls and pumping stereo are ready. Bring on 8 hours of driving!

[4:30] Sunrise and we're making great time. Alex, Yutaka and Kate are passed out in the back, while Mio's keeping me company as we listen to Diplo's Essential Mix from last year and admire the Sea of Japan from the passenger-side window.

[5.40] Some random guy in a van decided to tail me in my blindspot. He looked a little off the boil so we pulled off the highway to lose him. Should be in the mountains by 7am!

[6.50] Good news: Just saw the sign saying 10km to go! Bad news: it's spitting, and a call from Rob (who's already there) says it rained something atrocious last night.

[7.25] We have arrived! And we are immediately greeted by pouring rain. Didn't even start until we were out of the car. Queuing for wristbands. Pain.

[9:00] Tent's are up, but the rain's still coming down. I'm having a nap to make up for missing sleep last night.
IMG_0350
[14:20] Down at the White Stage, and Major Lazer roll out in dashing suits with Brazilian dancers dressed in mummy-esque rags (Hottie Cat, I later found out). It's early days in the festival and already everyone's jumping up and down like maniacs

[14:45] Switch & Diplo drop Pon De Floor, and we get a circle going with a bunch of Brits and random Japanese girls. The ground is a slushy mess of muddy clay, and my sandals & legs are caked with it.

[15:05] Dubstep remix of a reggae track from their album. Madness!

[15:15] Walking back through the masses. Alex teaches some Japanese the meaning of the word "choad".

[16.30] Back up at the tent - we chose a spot up the top and jeez it's a mission to walk up. Nice view though, and the privacy is golden. Can hear Lily Allen playing a cover of Womanizer in the distance.

[18:20] Down at the Red Marquee (the only indoor stage, mainly for electronic acts) to see Peaches. She strolls out wearing a puffy jacket that somewhat resembles a peach, and a scary lycra balaclava. Strips out of it by the time she finishes the first song, and says "I'm Peaches, you can call me momo."
IMG_0369
[18.50] These Japanese boys go crazy for Peaches. Her haircut is permed on top and shaved at the sides, in a kind of 80s scary lesbian style that goes with her crimson makeup across her eyes. Looking a bit old, but entertaining none the less, especially with her hot guitarist.

[18.55] "Shirts come off, shirts-shirts come off" says Peaches and most of the crowd (well, the male contingent) oblige.

[19:30] Dinner time. Most of the food here looks fantastic. Alex can't stop saying how the festival is "exactly like Glastonbury". Those doner kebabs look fantastic.
Taste even better.

[20:30] Red Marquee is fairly packed out for Simian Mobile Disco. They have their mixers stood up vertically, set into what look like record cases. The 3D feel to it looks like they're tinkering with a model of a building plan. The music is pounding and intense, the crowd responsive in kind.

[22:15] Chilling out in the food court, listening to Oasis blasting out at the Green Stage from across the way. Too packed & muddy to bother heading over there - only those prepared with gumboots and camping chairs can really handle the conditions.

[23:00] Eye from Japanese band The Boredoms starts up the "Planet Groove" all night session in the Red Marquee. He's OK - if The Boredoms themselves were here it would be 1000x more entertaining: those guys have drums. Lots of drums.

Saturday, July 25th


[0:30] Gang Gang Dance are on, and the crowd has swelled. People have been talking to me about these guys all day, but they're just 2 or 3 degrees too hippy-ish for us. Some white guy on stage is wearing what looks like a Tibetan postman's uniform and is holding a white flag made from a rubbish bag tied to an umbrella. The singer is impressive, but old and quite frankly a bit scary. House Jam sounds good, but the rest of the set doesn't go anywhere. It's like LCD Soundsystem in boring slow-motion.

[1:20] Finally, the hippies depart, calling on "Diplo & Switch". Seems it's just Diplo though.

[1:30] Pon De Floor does it's 2nd run of the night. Getting a bit of a vibe on now.

[2:05] Peaches is dancing on a speaker with her hot bassist. Diplo's revving the crowd up with his mike. Typical American DJs - but it's working.

[2:20] Stage is getting crowded: Switch is out there now. Diplo's chugging back red wine from a bottle. His Harder Better Faster Stronger remix gets spun.

[2:25] Diplo rinses out some solid dubstep.

[2:40] Fuck The Pain Away, and Peaches is dancing above the decks now.

[2:50] Diplo: "You guys have no idea what you're in for now." Well, some of us do. Buraka Som Sistema, a la Lisbon! DJ Riot, electronic drums, real drums, 2 MCs (the large Andro and the classy Kalaf Ângelo), and the exceedingly hot and vibrationally-talented MC Blaya.

[3:00] These guys are insane.

[3:05] They just blended in "Rhythm is a dancer"!! Fuck I haven't heard that in forever.

[3:15] Diplo is back on stage. Looks pretty drunk.
IMG_0386
[3:20] Buraka just invited a whole bunch of girls up on stage. I thrust Mio over the bar and Kalaf was nice enough to say she was cool to come up. Peaches jumps back on the stage, they fire off some gun full of gold streamers and everyone's going nuts.

[3:30] Diplo has now scaled the lighting frame and is hanging from the ceiling like a monkey 2 metres above the stage. Motherfucker's brachiating.

[3.40] Buraka come to a close - amazing set with everything in it. Ass-shaking, pounding beats, talented MCs and one drunk American stealing the show. Diplo has now brought out a watergun and is shooting the MCs and the crowd - over the equipment of DJ Craze and Klever, who are very politely freaking out about it.

[4.15] Craze & Klever are ripping it up, but its basically more of the same as Diplo's set, with scratching - and we're tired. Let the exodus back up the hill to the tent commence.

[8.30] WTF - suddenly awake, to find the tent is sweltering. Stumble outside - hello sunshine! My happiness is competing heavily with my feeling of sweaty, sleep-deprived, dehydrated exhaustion.

[9.30] Kobo-chan has arrived, so I'll have to go pick him up from the carpark. Oh well - no more sleep for me.
IMG_0390
[10.00] Chilling outside the tent - pretty sure I'm getting sunburnt. Bread, tinned tuna and bananas for brekkie.

[11.30] At an onsen just up the road. Heaven is washing away the night before. Alex can't stop saying how having an onsen is "nothing like Glastonbury". Nab a few beers at the combini on the way back and chill with a fairly odd Aussie and his very cool Japanese mate.

[14:30] There are a few bands on but noone big yet, so we'll take the cable car up to the Day Dreaming stage. First: watermelon, and a big bottle of Sangria.

[15:00] Jeez, this gondola is massive. Biggest in Japan, apparently. 20 minute ride up through the mountains - people like ants at the stages below.

[15:15] Christ - just saw some people in a gondola car going the other way, all wearing Doraemon masks. They looked more like hostages than like people enjoying themselves - hilariously unnerving.

[15:30] This stage is amazing! Like we've been transported to some kind of hippie central. Furry characters like pandas and rabbits are skipping after a girl playing a mouth organ. The music is reggae laced with some breaks, with a Japanese MC. Really chilled way to kill the afternoon.

[16:05] Sadly they're finishing at 16:30, and the rain's about to return. Back down the cable car - but not before bumping into our mates from Osaka again. Tequila shots in the gondola on the way back down.

[17:20] Back down at the Green Stage to see Ben Harper. "We're Relentless 7, and we're here to sing the blues."

[17:30] "We're Tim & Mio, and we're here to sit on a groundsheet and sleep away the early evening."

[17:40] Not a single classic Ben Harper track in sight. Looks like he left behind his soul tracks when he joined his new band. Tis a shame - the new sound is good, but not half as fun as last time I saw the guy.

[18:50] Dinner time: Pizza for me. Mio goes with curry with nan.

[19:40] Stroll back to the Green Stage to check out the Kiyoshiro Memorial gig. Perfect timing - Tortoise Matsumoto from the Ulfuls comes on to bash out a soulful tribute. Brings tears to my eyes, and I didn't even know who Kiyoshiro was until today. Matsumoto is all class - lots of passion and a fantastic voice.

[20:00] Hiroto and Mashi from The Blue Hearts come on to do a few tracks. Hiroto is a maniac - always chewing or moving his mouth even when he's not singing. "Rock n Roll will not die!" he proclaims in Japanese. Reminds me of Mick Jagger, perhaps a little uglier but great presence.

[20:15] A big group effort, a montage of Kiyoshiro footage on the big screens, and it's all over, with most of the crowd weeping. Beautiful send-off.

[21:30:] We move a bit closer for Franz Ferdinand. They come on to "Do You Wanna", which is good fun.

[21:50] Bit too many songs we don't know, and we're saving our energy. Nice visuals on the big screens though.

[22:30] Right - they've played "Take Me Out", and it's go time.

[23:00] Red Marquee's "Tribal Circus" tonight- first up: FAKE BLOOD! Being first kind of sucks though, as the crowds haven't really accumulated yet. He's wearing a woodcutter shirt. And he's bald. No way.

[23:05] "Love, it's a weird thing ain't it"

[23:??] Pulls out Sonic C's Stickin', which is about the 3rd time I've heard it this festival. Also pulls Pon De Floor, which seems to be the track of the weekend. Crowd's loving it.

Sunday July 26th

[0:05] "Mars!"

[0:15] Wow, that was over quick. Shame it wasn't a full 2 hours. 80kidz is getting packed, so I think we'll go outside for a break.

[0:45] Some nice drumnbass going on at the Ganban Night Stage - not sure who's playing, as the line-up isn't announced.

[1:00] Fake Blood just rolled up on the Ganban Night Stage! We rush down the front. He's only playing to around 100 people.

[1:30] This set is much more experimental. "I'm Horny" accapella on "Mars".

[1:50] ...and he wraps it up with some fun loops on "Voulez-vous" by Abba. That's more like it. Not as intense due to the crowd size, but a much more satisfying set.

[2:00] Damn, we've missed Bloody Beetroots.

[2:30] Still outside, eating pizza and chilling. Seems a shame to be missing all the music, but it's just as fun in the crowds of the courtyard.

[2:50] Back inside to see The Shoes. They're cranking it - far harder than when I saw them at Summer Sonic. Admittedly, that set was one of the first of the day, whereas this is one of the last.

[3:05] "Ich-ni-san-shi-go, Knock Out!" Sounds like they borrowed the vocalist from 80kidz for a Japanese sample.

[3:15] And to close out the night, Crookers!

[3:30] Fake Blood is dancing like a robotic nazi on their decks.

[4:00] This is turning into a quality set. Down by DZ just got dropped. Dubstep rears its brutish head yet again.

[4:30] Right, I'm spent. Wanted to stick around for Day N Nite, but I think that's enough for one day.

[10:30ish] Last day! Better get up and enjoy it. So tired. Kobo-chan is up and off already.
Fuji Rock 025
[11:30] First act I'm keen on is Jimmy Eat World at 15.50, so we spend the morning dancing to electro on Al's speakers and looking like idiots. This feels as much like Fuji Rock as the rest of it. Good times.

[15:00] Pack up most of the stuff and stroll down to the car. It starts pouring down and we seek shelter inside. By the time it stops it's looking hard to make it on time for Jimmy.

[16:30] Lunch: delicious pork on rice.

[18:00] More packing - now we're free to enjoy the evening.

[20:00] Waltz past Fall Out Boy on the way to Animal Collective. FOB sounding so much more sell-out that in years past, when I used to look forward to seeing them.

[20:15] Night lights are looking beautiful.

[20:40] Animal Collective come on. I don't know this band, but I've heard amazing things. Sadly, the things I'm hearing from the actual band aren't as amazing. 10 minutes in and it's obvious this is far too "experimental" (which I find is a polite word for "pretentious and botched attempt at originality").
IMG_0405
[20:50] Decide to check out the other half of the festival. Stroll through the boardwalk, where they have hung mirrorballs in the forest. Serene.
IMG_0412
[21:30] Chilling at the Orange Court, where Seun Kuti is playing, amid talking about women's "nyash", which seems to mean "ass".

[22:00] Back to the White Stage for the only real act I want to see today: Royksopp!

[22:30] Oh, they're just as awesome as I remember them. Bouncy bouncy fantasy music on a cool evening where the rain has blessedly stayed away. Anneli Drecker is doing the vocals - and the foxy dance moves.

[22:40] Obviously the only Japanese words Torbjørn knows are "Hai!" and "Honto ni arigatogozaimas!", but he uses them to great comic effect. A man after my true heart.

[23:00] After a downbeat, almost unrecognisable variation on What Else is There, Anneli dons an owl costume for Tricky Tricky, the other Karin track. This crowd is nice and fun, if a little tired.

[23:20] A one track encore, and they're done! 10 mins early, too. Sad. Still, stand-out performance from two of the (seemingly) nicest guys in electronic music.

[0:00] Finally make it back to the Green Stage to see Basement Jaxx. The rain may be gone, but the mud! Insanity. Half-wade, half-dance our way across the area. The Jaxx are bringing it fullsteam though, good times all round.

[0:30] Heading back to the car. Sure hope I can drive back safely. Gotta drop Kobo in Tokyo too.

[1.45] Right, everyone's here, we're packed, I've accidentally spilled Red Bull all over my seat, but we're off! Bye, Fuji Rock! See you next year!

Monday, June 29, 2009

...For the ladies

Warning: This post is purely because I know I'm going to get strife for the last one from a certain someone.

...and here's a shot of the (unofficially) hottest man from Japan. Hiro Mizushima.
I wouldn't do him, but he's a bit of alright.

Sunday, June 21, 2009

Not something you see every day

Warning: This post contains footage that may be beat-influenced

Ayoji, aka. Yoji Biomehanika, rocked up to Triangle a week ago as a "secret special guest". Probably the worst kept secret in Osaka, judging by the crowds reaction. The reason he wasn't headlining was purely because he wasn't DJing; evidently the man wanted to try out his guitar skills and didn't feel they were polished enough to do it officially. Good fun all the same - not the most amazing set, but certainly one of the rarer ones you'll see around here.
Here's about a minute of it:

Dubstep Rude? Very.



Warning: This post rinsed it out hard Friday night.

Caspa made his Japan debut @ Noon in Osaka last Friday, and though the crowd was a bit thin (half the crew I know weren't even in the city - well done guys), the guy still pulled out a set bulging with bass, turning the club inside out.

Chatting to Gary (Caspa) on the night, despite my intoxicated state I did manage to get a few coherent questions out about how he was enjoying the scene. He said tho Japan was small he was impressed with the committment here, and though he loved making tracks, there's nothing like bringing it to the masses.
And bring he did.

Jah Works Sound Systems in Sakai brought out a sound system so large that I struggle to think how they got it through the door. Come Sunday I'm still feeling the buzz in my ears - and on the night I remember feeling the cartilage in my nose vibrate. Madness.

The lack of art from the night is on account of me forgetting my memory card, and being too Jagered up to get anyone's addy for their pics. Still, here's the promo mix Caspa dished out on the night. Short but sweet and...dutty.

Edit: Toshi sent me a few pics including this mint one of Caspa on the decks. Big ups!

Holy crap


Warning: This post is a BIG FUCKING ROBOT

To celebrate the 30th anniversary of the anime Gundam, the crazy Japanese have decided to build a temporary monument in Odaiba in Tokyo.
A LIFESIZE motherfucker. That's 18m.

Although I don't really follow Gundam to any obsessive extent - OK, any extent at all - I still love a good giant robot.
For now its just a static thing, but imagine the awesomeness if they made the thing move. Even the fingers or the arms. Damn.

Thursday, June 04, 2009

Underdog

Tetralogistics@Triangle

Warning: This post provides a small, intimate setting that probably doesn't break revenue costs.

Talking with a friend in the Osaka electronic music scene recently, it came to my attention that perhaps Osaka is fighting a losing battle in the electro scene. While I'm not surprised that Tokyo pulls the bigger acts and has the more well-known scene, after hitting clubs in Osaka, Kyoto and Tokyo I can confidently say that the Easterners have nothing on the vibe of the West. In this case, bigger simply does not equal better.

Of course, in the case of massive festival gigs, Osaka can't win. Tokyo has the huge ageHa (though it's usually reserved for the kind of sickly, overground house - think DJ Emma - and local acts like Takkyu Ishino), and the immense Makuhari Messe (home of Summer Sonic, Ganban Night, and the now-extinct Electroglide). Osaka, by comparison, only really has Studio Partita ("Black Chamber"), about half the size of ageHa, meaning while it is fantastic in its own right, pulls less than half the revenue. I'll concede Tokyo has the large-scale events in the bag.

Womb:Intense...perhaps TOO intense

But it's the small events where I think Osaka reigns supreme. Tokyo's big electronica clubs, Womb, Air, Unit etc. are all spacious, but also full of the usual fronting you get in hip-hop clubs. The location tends to be near semi-residential areas, which means the clubs have a responsibility to keep the external noise from the patrons coming and going to a minimum. Nothing kills my buzz more than having a security guard tell me to stop being so excitable when I arrive. Come on now.

With the lights on, it's tiny. But on the dancefloor, it's perfect.

Osaka's clubs are smaller, which means they often take in less than a third in revenue on what can be made in Tokyo. But that size creates a community and intimacy that I revel in. Some people prefer not to know everyone at the gig, but for me if we're all mates one way or another, the whole place reverberates with the vibe. No cold, heartless pushing to the front. No "pick-up bar" feel to it. Everyone's there for the music, and each other. Sounds pretty hippie, huh. Meh - that's how I roll.

Anyway, point being - clubs like Triangle, LabTribe, and Onzieme need your help! It's up to you to keep electronica alive in Osaka - otherwise we'll all be stuck going to Pure or listening to DJ Kaori.

Wednesday, June 03, 2009

You Rang...

photo.jpgFirst iPhoto I iTook with iMy iPhone (outside our iOffice)
Warning: This post uses outdated technology. Updating can be financially taxing.

I'm fresh back from a 6-week stint in China, during which I couldn't really/maybe could have but was too tired/lazy to update the blog. It's not the first time, and surely not the last. But all good procrastination/hiatus must come to an end, so here we are.

I had a list of gripes about China, but I lost it, and it's hardly fun to get back to posting with a bitch session, now is it?
On a more positive note, back in Japan and with my pockets lined with hard earned cash, I found a spending spree was in order, and the first order of business was ditching the old burner. About time to get an iPhone.

Though I spend stupid amounts of money on gadgetry across the board, I very rarely pick something up on the launch date. Got a PS2 well over a year after they came out. My PSP, DS, Xbox 360 were all years after the first ones came out (though the DS and PSP were new editions of the same). I always buy my cameras one model older than the latest, and my iPods and cellphones are not the newest on the market.
Reasoning? The first is money, and the second is customer feedback. Without fail, any major electronic release (esp. gaming) gets a barrage of online forum complaints about bugs and defects. Look at the debacle with the first Wii, or how desparate people were for new iPhone software the day it came out. I love new stuff, but in this case I'd rather wait for the DVD release (so to speak), just in case the movie isn't that good.

iPhones have dropped fantastically in price since their release in Japan, for the basic fact that they are not at all geared for Japan's needs. No infra-red (the most popular way to share contact details and data here), no cell internet (including sites to pick up purikura (those cute Japanese photo booth things) online, and no microSD drive for storing off the hard drive. Plus, the phone treats email like normal computer email, where in Japan cellphone email is the substitute for inter-network SMS. However, for a net-loving gaijin in a country with wi-fi almost everywhere, it's fabulous. Not perfect, but quite nice.

I may be approaching my quarter century, but I'm still a kid who likes his toys, even if they're not the latest ones on the shelf.

Thursday, March 12, 2009

Summer Sonic: Second Announcement

Fuji Rock-Summer Sonic 09
Summer Sonic has put out their second announcement for those who subscribe (at a cost) to their mobile announcements. Luckily the folks over at mixi.jp (Japanese Facebook) have posted what appears to be a mostly complete listing:

Kasabian
Elvis Costello
Joan Jett and the Blackhearts
Mastodon
Phoenix
Tahiti 80
The Ting Tings
Tom Tom Club
All American Rejects
The Big Pink
Gogol Bordello
Iglu&Hartly
Never Shout Never
The Qemists
School of Seven Bells
Tame Impala
The Temper Trap
The Veronicas

So what is one to make of this? Some new faces (Mastodon, The Qemists), some from a ways back (Phoenix), some major regulars (Kasabian, All American Rejects), and then The freakin' Veronicas.

Much as I like Phoenix's new single (Lisztomania), it doesn't grab me like their really old stuff - and I'm sure The Qemists will be back seeing as they just played Triangle in the weekend (I missed it - couldn't pull 3 nights in a row sadly). So it's all a bit "meh". I expect more, Summer Sonic.

Am I missing something? Am I a bit too picky with my opinion on the line-up? Would you shell out \14,000/day (280NZD, based on today's exchange rate) for this?

Wednesday, March 11, 2009

Hit you with some Summer

Fuji Rock-Summer Sonic 09
Warning: This post is not recommend for those in need of some fiscal restraint.

First announcements are up for the two biggest gigs of Japan's summer: Fuji Rock Festival and Summer Sonic 2009.

They have left me physically struggling not to rip my wallet from my pocket and thrust my credit card digits cyber-ward to the online booking sites. Though it's only a matter of time - the moment I saw the line-ups it was a foregone conclusion that I was going.

Summer Sonic is celebrating it's 10th anniversary with an extra day of music, padding it out to a full 3 days (August 7-9). I have work on the Friday and Saturday, but I'll be taking it off for the likes of:
SS lineup1

Admittedly Miss Boots & Yuksek are the only artists I've yet to see that I'm absolutely gagging to, but I'm sure there is plenty of quality to come.

Usually Summer Sonic puts the wood on Fuji Rock for the hottest talent, due to its central city location (Tokyo, Osaka), with no need to camp out or shell out big money for transport.
However, Fuji have got one up this round in my book, with a first announcement that boasts:

Basement Jaxx
Ben Harper
The Bloody Beetroots
Crookers
Diplo
Fake Blood
Fall Out Boy
Franz Ferdinand
Japanese Popstars
M83
Patti Smith (wtf)
Royksopp
Simian Mobile Disco
Weezer
(full announcement here)
...damn.

Though one would hope and pray that the artists in bold will consider extra gigs in the rest of Japan, it looks like I'm renting a car and taking my leave for 3 days in beautiful, rainy Niigata. Hopefully it's not the mud-fest it was last time.

Anyone keen to come? It's gonna be a hell of a summer.

Tuesday, March 10, 2009

I'm Back

My Desk

Warning: This blogger is suffering from an over-abundance of shit to do.

Back in Japan after two weeks in China, shortly after the Chinese New Year celebrations. I was there in late Jan but left before the actual New Year's Day - though I was around for the brutal drinking of the factory parties. I can remember regurgitation onto such diverse objects as ashtrays and hedges, but not much else. Damn Chinese.
IMG_0321

This time around we had lots of fun new products coming up for launch in the States - including some new Pokemon stylus - so things were pretty hectic.
I'm not quite sure about these new Pokemons' level of cuteness - I mean, Pikachu is cute-incarnate, but some of these new ones are the stuff nightmares are made of.


There's also some exciting new stuff planned for June release, so I wasn't getting a lot of sleep/still aren't. Can't say much as yet, but Hasbro's game deal with EA is involved. Will keep you posted.

The weekend I came back was quite intense - we were straight off to Labtribe in Kyoto for a night of drumnbass/dubstep at the hands of (Chase &) Status. Only the one of them showed up, but Will ("Status") brought the fine sounds and much fun was had. He even had the nicety to drop Killing In The Name Of SebastiAn in the middle of a dnb set. Very impressive.
The club itself was great - my first expedition out there - but the clientele were far more sparse than Triangle can pull in Osaka. Still, everyone was of the good sort - typical underground electronica round here. Wouldn't trade it for the world.
IMG_0510

Sunday night was Tiga - 4 years and three tours to Japan later before we finally managed to be in the same room. He's a lot whiter and quite short in person. He led his two hour set with some minimal stuff he seems to be getting into lately, before busting out "Mind Dimension" and a few tracks I'm sure were his, but possibly new stuff from the album: "It's Six O'Clock" and "What's that sound/I like that sound" being predominant lyrics. Fever Ray and Mr. Oizo also made cameo appearances in a mix that went from strength to strength.
IMG_0530

Life = work for the time being so I haven't got many amazing things to say, but The Whore did introduce me to a fantastic (and rather masculine-erotic) video clip from Germans Deichkind. The high quality copy (worth a look) is here.
I'm not gay, but I love anything that can combine porno with parody ("pornody"?)

Friday, February 06, 2009

Don't Stalk Me

Namba Apartment (on Google Maps)
Warning: This post knows where you live.

Last Sunday I moved flat - my 3rd place since coming here in 2006, and a reversion back to living alone after the shambles that communal living deteriorated to in my last place (having my laptop stolen by my flatmate and living with people who never washed the dishes after they ate and built duvet-forts in the living room where they camped out and never slept in their bedroom are what I term "shambles", FYI). I have a Kiwi neighbour, an American and a few Japanese but I have the room (spacious but old) to myself. Much as I loved the previous place for its social factor, things like safety and general hygiene are vastly improved for having moved into a new place.

Looking it up on Google Maps, I clicked too far and suddenly found a remarkably high quality photo of the outside of the apartment block.

I know everyone got into Google Map's Street View quite some time ago, but when it first came out it was extremely limited (ie. certain parts of the States), and I never imagined they'd manage to make it all the way around to my side of the world.
How wrong was I?

Not only can you see my place in Osaka (above), the supermarket down the road and other wonderful parts of Namba, but it appears they've got New Zealand covered too. Not that you can see the whanau's house (it's down a long driveway), but still, the neighbourhood is there:
Kotari RdDriveway
Ferry RdFerry Road and a view of the bay
Marine DriveThe wharf near sunset
Still, they haven't made it into the countryside in Japan, nor anywhere in China from the looks of things. But the progress is almost scary. I just hope people only use it for good - like that story of the cop who found the girl kidnapped by her grandmother by using the GPS on her phone and Street View to find the motel they were at - rather than for the forces of evil -like a dude who might find a girl to kidnap and take to a motel, or (worst case), realising the political scenario of 1984...

Thursday, December 25, 2008

Merry Christmas (Part 2)

Warning: This post treats Christmas like Valentines.

So my fourth Christmas in Japan rolls around (previous three being '04, '06-'07). Japanese don't do Christmas like Westerners do (though, if you think about it, do Westerners even do Christmas like Westerners "did"?). It's much harder to sucker parents into buying gifts for their kids when New Years (and it's gift-giving traditions) are just around the corner.
So JapaXmas takes its leaf from the other book of holiday marketing, and plays it up as a romantic occasion. As a friend told me yesterday, she feels lonelier on Christmas Eve without a boyfriend than she does on Valentines. At least on Valentines you can give to multiple people without the need to be dating. On Xmas Eve, everything's a bit more "couples only". That is, good luck getting into an Italian restaurant without a reservation.

I do despise commercialism of tradition, but I do enjoy a night out with the missus, and it's a good excuse to splurge a bit (what recession?). Last night it was a slightly over-priced pasta restaurant and a bottle of savignon blanc. Very nice.


Was nice to get in a hello to the family this morning too - we didn't get the connection speed to be able to do a webcam present-opening session, but I still got to see their lovely faces, including Caleb (my 6-month-old stand-in).

I, for my part on the receiving end, got a bag, a belt, a tie, a novel and a sweater. Now all I need is slippers, socks and a dressing gown and I think I'm ready to fastforward to my 40s. Nah, they were all awesome gifts and I'm very lucky to get anything.
My gift from me to me was a new digicam - Canon Powershot IXY 920IS - which was on special thanks to this lovely dip in the economy. I'll probably regret it later when I lose my job and have to scrounge for cash.

Feliz navidad a todos - I wish I could be with everyone I know! Especially because then I could probably score some free food ;)

Tuesday, December 02, 2008

Helicopter

On a backstreet in south Osaka,
the boy stumbled upon the holy grail.


Warning: This post kicks like a mule.

So the older of the youngers came to visit for a few days lately, and much fun was had. So much fun, in fact, that I'm almost glad he left. No way could I keep that schedule up for another week.

Bought a funky new camera for him to use on his travels - a Canon Powershot 910IS (called the SD870IS in America). This is an outdated camera - the 920 came out recently - but the nice thing about that is it was half the price. And to be honest, I don't think the 920 could have been much better.

One of the nice things about it (and there are many) was the superior video quality, blowing my Olympus out of the photo bath. Of course, with great quality comes great megabyte-age, and 100mb per min of film is a little difficult to get up on youtube (especially these days: am I the only one who's noticed how deathly slow uploading is there lately?). However, I was able to get a few vids up over the weekend.

The first of these is at Cafe Absinthe (which I may have mentioned before), where my Israeli bartending friend demonstrates one of the more complicated cocktails on their menu: the Helicopter. Made of (I assume) absinthe & black sambuca, the kick on it is only topped by trying to inhale the remaining fumes afterwards. As Luke's reaction shows, it's not really for the faint of heart.
Cheers.